Maugham W. Somerset
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Bekker Alfred
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Vandenberg Patricia
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Maugham W. Somerset
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Liza of Lambeth was W. Somerset Maugham's first novel, which he wrote while working as a doctor at a hospital in Lambeth, then a working class district of London. It depicts the short life and death of Liza Kemp, an 18-year-old factory worker who lives together with her aging mother in the fictional Vere Street off Westminster Bridge Road (real) in Lambeth. All in all, it gives the reader an interesting insight into the everyday lives of working class Londoners at the end of the nineteenth century. The action covers a period of roughly four months.from August to November.around the time of Queen Victoria's Jubilee. Liza Kemp is an 18-year-old factory worker and the youngest of a large family, now living alone with her aging mother. Very popular with all the residents of Vere Street, Lambeth, she likes Tom, a boy her age, but not as much as he likes her, so she rejects him when he proposes. Nevertheless, she is persuaded to join a party of 32 who make a coach trip (in a horse-drawn coach, of course) to a nearby village on the August Bank Holiday Monday. Some of the other members of the party are Tom; Liza's friend Sally and her boyfriend Harry; and Jim Blakeston, a 40-year-old father of 5 who has recently moved to Vere Street with his large family, and his wife (while their eldest daughter, Polly, is taking care of her siblings). The outing is fun, and they all get drunk on beer. On their way back in the dark, Liza realises that Jim Blakeston is making a pass at her by holding her hand. Back home, Jim manages to speak to her alone and to steal a kiss from her.
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Maugham's first published novel - a vividly realistic portrayal of slum life. Down among the drab slums of Lambeth, eighteen-year-old Liza is the darling of Vere Street. Vibrant and bewitching, she has found an adoring if conventional beau in Tom. When she meets Jim Blakeston, a married man new to the area, she is immediately magnetized by his attentions. But the streets are wise to their illicit, passionate affair and before long the secret is out.
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Of Human Bondage is a novel by W. Somerset Maugham. It is generally agreed to be his masterpiece and to be strongly autobiographical in nature, although Maugham stated, "This is a novel, not an autobiography, though much in it is autobiographical, more is pure invention." Maugham, who had originally planned to call his novel Beauty from Ashes, finally settled on a title taken from a section of Spinoza's Ethics. The Modern Library ranked Of Human Bondage No. 66 on its list of the 100 best English-language novels of the 20th century. The book begins with the death of Helen Carey, the much beloved mother of nine-year-old Philip Carey. Philip has a club foot and his father had died a few months before. Now orphaned, he is sent to live with his aunt Louisa and uncle William Carey. Early chapters relate Philip's experiences at his uncle's vicarage. Aunt Louisa tries to be a mother to Philip, but his uncle takes a cold disposition towards him. Philip's uncle has a vast collection of books, and Philip enjoys reading to find ways to escape his mundane existence. Less than a year later, Philip is sent to a boarding school. His uncle and aunt wish for him to eventually attend Oxford. Philip's disability and sensitive nature make it difficult for him to fit in with the other students. Philip is informed that he could have earned a scholarship for Oxford, which both his uncle and school headmaster see as a wise course, but Philip insists on going to Germany.
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On a Chinese Screen, also known as On a Chinese Screen: Sketches of Life in China, is a travel book by W. Somerset Maugham, first published in 1922. It is a series of short sketches Maugham made during a trip along the Yangtze River in 1919-1920, and although ostensibly about China the book is equally focused on the various westerners he met during the trip and their struggles to accept or adapt to the cultural differences they encounter, which are often as enormous and as alienating as the country itself.
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The Magician is a novel by British author W. Somerset Maugham, originally published in 1908. In this tale, the magician Oliver Haddo, a caricature of Aleister Crowley, attempts to create life. Crowley wrote a critique of this book under the pen name Oliver Haddo, in which he accused Maugham of plagiarism.
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The Magician is a novel by British author W. Somerset Maugham, originally published in 1908. In this tale, the magician Oliver Haddo, a caricature of Aleister Crowley, attempts to create life. Crowley wrote a critique of this book under the pen name Oliver Haddo, in which he accused Maugham of plagiarism. Maugham wrote The Magician in London, after he had spent some time living in Paris, where he met Aleister Crowley. The novel was later republished with a foreword by Maugham entitled A Fragment of Autobiography. The novel inspired a film of the same name directed in 1926 by Rex Ingram. Arthur Burdon, a renowned English surgeon, is visiting Paris to see his fiancée, Margaret Dauncey. Margaret is studying art in Parisian school, along with her friend Susie Boyd. On his first evening in Paris, Burdon meets Oliver Haddo, who claims to be a magician and is an acquaintance of Burdon's mentor, the retired doctor and occult scholar Dr. Porhoët. While none of the company initially believe Haddo's claims, Haddo performs several feats of magic for them over the following days. Arthur eventually fights with Haddo, after the magician kicks Margaret's dog. In revenge, Haddo uses both his personality and his magic to seduce Margaret, despite her initial revulsion towards him. They get married and run away from Paris, leaving merely a note to inform Arthur, Susie and Porhoët. Arthur is distraught at the abandonment and promptly returns to England to immerse himself in his work. By this time Susie has fallen in love with Arthur, although she realises that this love will never be returned, and she goes away to Italy with a friend. During her travels, Susie hears much about the new Mr. and Mrs. Haddo, including a rumour that their marriage has not been consummated. When she eventually returns to England, she meets up with Arthur and they go to a dinner party held by a mutual acquaintance.
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The Moon and Sixpence is a novel by W. Somerset Maugham first published in 1919. It is told in episodic form by a first-person narrator, in a series of glimpses into the mind and soul of the central character Charles Strickland, a middle-aged English stockbroker, who abandons his wife and children abruptly to pursue his desire to become an artist. The story is in part based on the life of the painter Paul Gauguin. The novel is written largely from the point of view of the narrator, a young, aspiring writer and playwright in London. Certain chapters entirely comprise accounts of events by other characters, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to have a very poor ability to express himself in words). The narrator first develops an acquaintance with Strickland's wife at literary parties, and later meets Strickland himself, who appears to be an unremarkable businessman with no interest in his wife's literary or artistic tastes. Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. (The narrator enters directly into the story at this point, when he is asked by Mrs Strickland to go to Paris and talk with her husband.) He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is helped and supported by a commercially successful but hackneyed Dutch painter, Dirk Stroeve (coincidentally, also an old friend of the narrator's), who recognises Strickland's genius as a painter.
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Charles Strickland is a staid banker, a man of wealth and privilege. He is also a man possessed of an unquenchable desire to create art. As Strickland pursues his artistic vision, he leaves London for Paris and Tahiti, and in his quest makes sacrifices that leaves the lives of those closest to him in tatters. Through Maugham's sympathetic eye Strickland's tortured and cruel soul becomes a symbol of the blessing and the curse of transcendent artistic genius, and the cost in humans lives it sometimes demands.
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